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Custom Instruments
There are no standards here. Every
aspect of construction can be customized based on what you need
and want out of a bass, from the number of strings to wood
selection to electronics, your options are endless... below is just
an overview of some of my 'inhouse' outlines as seen in the gallery. |
Acoustic Bass Guitars
I primarily focus on acoustic
bass guitars because as a bassist I was disappointed with the limited
selection of instruments available, and felt there was huge amount
of exploration and research still to be done on this relatively new
instrument. Focusing on basses allows not only the examination of
new ideas, but the re-examination of some old ones. Material choices
or innovations that may have fallen out of favour with guitarists
of a hundred years ago may be perfectly sensible for bass players
now. |
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Electric
Upright Basses
I began building eub's for largely the same reason as acoustic bass
guitars, I wanted one, and there just wasn't enough of them around
to choose from. I was also pretty turned off by the +$1000 2x4's that
seemed to dominate what was available... I wanted something with curves....
sexy curves.
I began prototyping a design as 'the other project'
in my life, and was astonished by the amount of positive feedback
I received over it from 'real' upright players. It
seemed foolish not to continue building them as a concentration. |
Mods&customization
I began working in luthurie through my own desire to customize
my guitars, not just to make them sound and play better, but to make
them uniquely mine. Whether you need a new pickup switch, or
you need a whole new neck built around a few ideas and a sketch
like shown below (thanks Steve), I get a great deal of satisfaction
making your guitar 'yours' as well.

custom neck build |
Repairs
I am not a conservationist or a restoration expert, but I've done a good deal
of repair work ranging from replacing dirty electronics to neck resets and
back again. I always try and go over all the options for a fix with a customer,
outlining the pros and cons of different approaches to a repair, and if I don't
feel I'm the right person for the job you want done, I'll tell you that straight
up. I feel repair and restoration is an artform unto itself, and I would
much rather lose one job from a happy client, than mangle a historic instrument
that could have been properly preserved and loose a customer forever
in the process.
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